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1、 題 目 An Analysis on Cultural differences between Chinese and Western costumes 中西服飾文化賞析 Contents 目錄 Abstract 2 1. Introduction 3 2. Comparison of the cultural background of the Chinese and Western costumes 3 2.1 differences in geographical environment 3 2.2 differences in religious backgr

2、ound 4 3. Comparison of clothing culture 4 3.1 different material culture 4 3.2 different sense of clothing function 5 3.3 different colors culture 5 3.4 different patterns of culture 6 4.dress differences 6 4.1 different dress concepts 6 4.2 different ways of dressing 8 5.The peak of the h

3、istory of clothing 8 5.1 European Renaissance, 8 5.2 Tang dynasty. 9 6. Comparison of aesthetic culture between East and West clothing 10 6.1 aesthetic culture in the West 10 6.2 aesthetic culture in the East 11 7.Conclusion 11 References 12 An Analysis on Cultural differences between Ch

4、inese and Western costumes Abstract: In the long history, due to their different environments, the world has their own clothing system. Nowadays, in the globalized world, people's lives all over the world are beginning to synchronize. The west takes the lead in today's fashion trend. We can see tha

5、t more and more Chinese elements are applied to fashion design, and all kinds of big brands are competing to launch single products of Chinese elements. The Chinese elements have become the new favorite of the fashion industry in the four fashion week. This is the exchange and fusion of Chinese and

6、Western clothing culture. Clothing is the crystallization of human wisdom and civilization over thousands of years. It has reached the purpose of covering up the body, keeping warm and protecting the cold and beautifying the image. From the day of the origin of clothing, people have penetrated into

7、their costumes, including their life customs, aesthetic tastes, color hobbies, and various cultural mindset and religious ideas. Key words: clothes，cultural differences， chinese and western 摘要：在悠久的歷史長河里，由于各自所處的環(huán)境不同，世界各地都有自己的服裝體系，如今，在全球化的世界里，各地人民的生活都開始趨于同步。西方主導(dǎo)著當(dāng)今的時尚潮流，聞名世界的四大時裝周上，我們可以看到越來越多的中國

8、元素被運用到時裝設(shè)計中，各類大牌爭相推出中國元素的單品，中國元素成了時尚界的新寵。這是中西方服飾文化的交流與融合服飾是千萬年來人類的智慧與文明的結(jié)晶，它到達了遮掩身體，保暖御寒，美化形象的目的。從服飾起源的那天起，人們就已將自己的生活習(xí)俗、審美情趣、色彩愛好，以及種種文化心態(tài)、宗教觀念，都滲透在了自己的服飾里。 關(guān)鍵詞：服飾，文化差異，中西 1. Introduction Clothing is a unique labor result of human beings. It is both the crystallizatio

9、n of material civilization and the meaning of spiritual civilization. The human society went through the times of ignorance, barbarism and civilization, and moved slowly for hundreds of thousands of years. Our ancestors in the natural and the ape, a group of hides and leaves in the wind and rain wan

10、dering countless years, finally struggled into the threshold of civilization, to cover the body of the warm body, creating a material civilization. However, the pursuit of beauty is human nature, people dressed in gold, such as the Buddha, its role not only in the shelter warm body, with beautifying

11、 function. This article will talk about the cultural differences between Chinese and Western costumes in terms of the origin of Chinese and Western clothing, geographical environment, religious and cultural differences, clothing culture, shape, color and patterns. 2. Comparison of the cultural back

12、ground of the Chinese and Western costumes 2.1 differences in geographical environment From the geographical environment, China culture originated in the the Yellow River civilization, is the formation and development in a relatively fixed and closed geographical environment. Since ancient times

13、, Confucianism, Taoism, Buddhism, Islam and Christianity have in this land of mutual collision, and communicate together to jointly form a subtle, inclusive for the characteristics of the Chinese culture, feudal political system with a long reign, to build a highly developed cultural system. In cont

14、rast, western culture is based on the Nile civilization in North Africa around the Mediterranean, the two river valley civilization in West Asia, the Aegean civilization and the ancient Greek and ancient civilizations in southern Europe. After the great migration from the north of Rome, After the me

15、dieval development and Byzantine Culture, especially the development of Christian culture, Western European countries formed a completely different Christian culture circle from far east China. In the cultural circle in the survival of many races, there are different cultural character, mutual colli

16、sion, communication and integration between these cultures, formed a vibrant, aggressive personality trait. China culture compared with western culture, the former is booming in a relatively fixed geographical environment, has relatively single and lively personality characteristics, the nature of a

17、n individual occurs; the latter across Asia, Africa and Europe on three continents, in a broad geographical environment, by a variety of civilizations mixed, alternating control and influence, with ethnic migration, cultural movement formed, with mixed characteristics, the nature of a system. 2.2 d

18、ifferences in religious background The Western clothing culture seeks the law of nature. The West emphasizes the separation between the subjective world and the objective world, and makes it clear that the subjective is me and the objective is the object. The Western rational observation of the wo

19、rld and explore the law, form a kind to obtain the truth of traditional pursuit of natural law, thus showing a rational or scientific attitude in the unified clothing, clothing and the environment is emphasized in the harmony with nature, emphasis on natural science knowledge, the development of the

20、 clothing is full of it to grasp the objective law of clothing, clothing of the basic traits. Western clothing culture emphasizes the mankind body. The development of clothing in the West shows that it serves for the beauty of human body. Its role is to fully show the beauty of human body and make u

21、p for the defects of human body. Clothing concept takes the pursuit of human body as the core. It shows the features of extroversion, extrovert, extrovert, extrovert and extrovert in the form of wearing the body as the precondition. The use of clothing to improve the beauty of the human body, pay at

22、tention to the study of the natural material characteristics of the human body, is the combination of clothing and the human body. Also pay attention to the size of the body parts of the data. The most significant feature is to use clothing to highlight personality, display personality, and use clot

23、hing to express the affirmation and attention to personal value. In the context of religious culture, ancient Western clothing has a theological point that transcends the needs of the body. Confucianism for a dress or a concept that "Taoism concept, the ornamental and the combined plain properties"

24、is "beneath the coarse home-spun,one may discover talent and ability". Both are elegant and solemn attitudes towards clothes. China has always paid attention to the etiquette and education. The dress embodies the self-cultivation of a person and the degree of respect for the people to see. If a pers

25、on exposed skin can go out, is known as indecent or abject people. This is particularly evident in ancient women. Women in feudal society lack the power to defend themselves with dignity. In a period of time or in some areas, they go out and "have their face". In addition, China pays attention to th

26、e "unity of nature and man" and is devoted to the achievement of people With the fusion of nature, the clothes are both flat and elegant, and the gender differences are not obvious. 3. Comparison of clothing culture 3.1 different material culture The original social material culture from eatin

27、g animal flesh raw and drinking its blood, human beings created different dress culture in different geographical environment. Chinese people began to use animal fiber such as GE, linen, ramie and other animal fibers for weaving very early, and began to raise silkworms and weave 6900 years ago. Silk

28、 is a great contribution of the Chinese people to the life of human clothing. Without the elegant silk, it is impossible to talk about it. Compared with the developed silk culture in China, ancient Egypt is mainly flax culture, the two river basins are mainly wool culture, and India is the birthplac

29、e of cotton culture. Ancient Greece and ancient Rome did not create anything in terms of clothing materials. They inherited the ancient civilization on the Mediterranean coast, that is, linen culture and wool culture. As for the silk, though the Silk Road in the Far East has seen the silk style from

30、 the Far East as early as the BC, ancient Rome did not understand the mystery of the beautiful fabric for a long time. Until the year 552, the Byzantine Empire sent two missionaries to Chinese China understand words, to know the secret of silk, a century later, in the Byzantine to weave silk, and th

31、e Europeans themselves can weave silk, until the 13-14 century Italy after the renaissance. 3.2 different sense of clothing function For the function of clothing, Chinese and Westerners have clear differences in understanding and focus on: since ancient times, Chinese attaches great importance to

32、 the social ethic function of dress. The dressing is not only confined to the warmth or ornament, but also pay more attention to the social ethic function of "stabilize the world". From the Xia and Shang to Zhou Dynasty, with the perfect dress etiquette system, this concept is almost throughout the

33、entire China history, dynasties and rulers have attached great importance to wear costumes to unify people's thoughts, not to mind taking the trouble to revise repeatedly clothing system, in order to regulate the behavior of all walks of life to the country, "". In the western countries cannot Chine

34、se and compared, although the Romans had paid great attention to clothes said the identity, the feudal era has continued to launch a variety of clothing bans, but most of them are some of the luxury ban, there are few like Chinese fully put clothing social function into full play, and more attention

35、 is paid to the value of the wealth of clothing and aesthetic function. Chinese are always conservative and reserved in dressing, but do not like bold and bold fashion styles. Therefore, clothing is mainly covered with shading and bags, especially in traditional costumes. The cover is also considere

36、d one of the important reasons for the origin of clothing, "ancient field of Fisheries and food, clothing because of its skin, the prophet word before the word after. Therefore, Chinese clothing is usually wrapped up with human beings, and few of them reveal the structure and style of the body. West

37、ern clothing is rather bold and unrestrained, from ancient Greece to the middle ages. Western costumes are mainly wrapped in unshaped clothing and pre - Open semi - shaped clothing, emphasizing and protruding the body's lines Beauty, such as tight bras, buttocks and so on. In the Rococo period, in o

38、rder to reflect the delicate and touching waist, women will never mature girl Start their day and night. So the Western men and women in many of the paintings and films we see are daring. And the figure is also more prominent. China dress on the overall dignified, traditional culture for more outlan

39、dish costume rejection. If there is a section of "Zuo Zhuan" describes a person wearing a partial clothing, be called iucci impermanence is also not willing to wear clothing. So Chinese traditional costumes are more orthodox, there is little strange dress; western many times will be wearing strange

40、as a personality some clothing is different from the cloth and put all sorts of things together clips. 3.3 different colors culture The traditional Chinese green, red and white, black, Huang Dingyi stern, and the several color mix colors become color. The color is more orthodox, the color was mor

41、e. "Evil purple spoils Zhu Zhu Yezhong for orthochromatic purple color. Yellow is as the symbol of the emperor, in ancient Chinese, only wearing a bright yellow emperor in the body, the other king Pro nobles, officials and ordinary people can only wear dark yellow or yellow ink. Red, symbolizing the

42、 sun, fire and blood, is also a symbol of joy, so it is also an auspicious color. Black and white, it is representative of the funeral. Since ancient times, Baishi said, black and white are the color of kyrgyzstan. In the west, the opposite is the opposite. In the western culture, white represents t

43、he supreme purity and the symbol of the noble. The aristocratic women we see are all dressed in white. And black in English culture also symbolizes the nobility, the black velvet and the black velvet. Black satin is also very popular among the aristocratic women, and the black suit is a great repres

44、entative of elegance and dignity. 3.4 different patterns of culture In Chinese culture, the dragon and Phoenix are the symbol of class status and the famous totem. It represents the supremacy of rank, solemn and majestic. Only the emperor had the power to wear robes, Coronet is generally only kin

45、g, after has the power to wear. The dress pattern is also relatively China for attention, we can often see some embroidery patterns, including flowers, birds and animals, landscape geometric style, can add beauty to clothing, more delicate. Fukulu Zuki, he is also the deer Tongchun clothing adds aus

46、picious meaning. The patterns on the Western costumes are not fixed, and change with the changes of the times. Such as the Rococo period to pay attention to the natural pattern, a large number of natural flowers as the theme, mainly by rose and orchid, and vine linked flowers, especially dynamic smo

47、oth, looks beautiful; Renaissance decorative pattern and decoration luxurious and beautiful flower pattern, compared to the Rococo period, more ornate, and due to the re cognition of the world and its pagan mythology, with the lion and eagle pattern. 4.dress differences 4.1 different dress conc

48、epts In the history of China's thousands of years of history, in the relatively stable, autistic and conservative state, Confucianism and Dao's doctrines and beliefs complement each other and become the mainstream of ancient philosophy. Our ancestors created profound undress clothing culture, form

49、ed a unique aesthetic and philosophical concepts, different from the west, East and other ethnic groups are different. Thus, in women's clothes shown on the form of a China style air and charm, revealing the potential of national spirit and culture of the inner soul. It reflects the China women Xian

50、 good tolerance, natural simplicity, indifferent personality and moral realm, and a graceful, reserved, Sophie Yu Gang, color charm temperament and personality quiet. The Confucian standard of "Virtue" and "rite" to standardize the dress. Confucianism strives for the ethical norms of the society and

51、 the combination of the psychological desire of the personality to be embodied in the dress. Confucian aesthetics from the aesthetic point of view of the whole society requires people to dress style exterior form beauty and inner quality artistically consistent with the United States, reflects the i

52、deal personality to strengthen and enhance the costume ideas, moral personality to be the same outside and inside, both inside and outside into neat uniform, in order to clear social fashion. The concept of clothing due to the long history of dominance, influence on women's basic shape of the past d

53、ynasties. Taoism believes that the state of pure nature is the most ideal state of human beings. Clothing should also conform to nature, tend to nature, and display the natural spirit of personality. The simplicity and rustic simplicity of women's dress, and the reduction of cumbersome decoration, a

54、re not equal to spiritual scarcity. They do not affect the beauty of clothing, and gradually reach the "no ego" situation when they try to get close to nature. The relationship between man and clothing, man and nature, clothing and nature are harmonious and not conflicting with each other. Clothing

55、can not shackle or harm the body, people can not destroy the law of nature. In the pursuit of clothing, the pursuit of the human body naturally, not to show off as the purpose of self publicity, not to show the individual. The loose body of clothing makes body and mind free and free. When it is dres

56、sed, it comes to a comfortable and relaxed sense of comfort, which reflects the natural and refined world. Although the Chinese history of the ups and downs of dynasties, changes in women's clothing dissipated, but retains the basic undress shape, cutting plane line loose. The WTO Confucian thought

57、embodies the simple undress shurei personality of the founder, rigorous fashion. The born thoughts calm clean air, aloof and indifferent to the emotional mood. In contrast, Western clothing is different, besides the influence of medieval Christianity had emerged, deny the existence of human beings,

58、the beauty of the human body negative performances of this special period, whether it is the ancient "undress" culture, or since the Renaissance "narrow clothing culture, Western clothes are very realistic, even an exaggeration to show the shape of people, especially since the late Middle Ages" Goth

59、ic "era, it is very explicit to" strengthen "the gender characteristics on the body of men and women, not only trying to expose the gender shape characteristics, expand the area and position of the bare and constantly (especially women). In the aspect of "revealing", a series of means of "strengthen

60、ing" are also created. This way makes western clothing undulating in shape, in the structure of clothes. There is a lot of human creativity. Westerners regard themselves as the masters of the world, the masters of all things in the world, take the self as the center, try their best to excavate the p

61、ower of human beings, release the potential of human beings, and advocate competing for all their lives to expand their desires. A great effort to express individuality in the dress and the beauty of the exaggerated human body violates the law of nature in varying degrees. Lssey Miyake by Westerners

62、 as a great creative clothing, rather than a general sense of the designer, because of his revolutionary design significance in his works successfully blended the essence of western culture, and the spirit of ancient and modern spirit together, with a strong flavor of the times. His clothing design

63、is based on the traditional Japanese cutting methods and clothing space consciousness, and reveals the Oriental and Japanese philosophies and attitudes towards nature, revealing the combination of things and ancient and modern aesthetic charm. His design inspiration often comes from nature, creating

64、 the beauty of the artistic conception of clothing. His clothes are comfortable and elegant, which makes the body get the maximum freedom. Every movement of the body can show the surprise of softness and sexy on his clothes. This is a free and wearing attitude. His clothing shows a sense of life sty

65、le of life, without too much commercial breath, his design is unprecedented, but it reminds people of the history of human. Design of the three house has been to the thought that this person, simple, simple, easy to wear, easy maintenance, easy care, conforms to the requirements of human nature, als

66、o embodies the time spirit. 4.2 different ways of dressing From the way of dress, there are obvious differences between the Chinese and the West. The Renaissance Chinese women's clothes since ancient times to coat xiachang features, before the opening of the front, with the strap clothes, wear convenient; Western clothes from the type to go to the Guantou style, open front, forms. Use a pin or button to fix the clothes (although the Western buttons are learned from Asia), forming a more com